baroque traversos
after G.A. ROTTENBURGH (1709 - 1790, Brussels) a'=415 Hz Private collection of B. Kuijken
	boxwood (unstained, students' model)	850
	boxwood (stained, students' model)	875
	boxwood (with artificial ivory, but without registerfoot)	1000
	boxwood or grenadille (like the original, with artificial ivory rings)	1150
	corps de rechange a'=440 Hz	175
	screwcork	50
after C.A. GRENSER (1720 - 1807, Dresden) a'=415 Hz based on several originals and GNM MIR 297
	boxwood (unstained, students' model)	850
	boxwood (stained, students' model)	875
	boxwood (with artificial ivory, but without registerfoot)	1000
	boxwood or grenadille (like the original, with artificial ivory rings)	1150
	corps de rechange a'=440 Hz	175
after A. GRENSER (Dresden) a'=440 Hz based on an original in ivory in a private collection
	boxwood (unstained, students' model)	850
	boxwood (stained, students' model)	875
	boxwood or grenadille (with artificial ivory, without registerfoot)	1000
after J. HOTTETERRE (ca. 1700, Paris) a’=392 Hz Landesmuseum Joanneum, Graz Kat. Nr. 1384
	boxwood (with artificial ivory mounts, endcap and barrel)	1300
	grenadille (with artificial ivory mounts, endcap and barrel)	1350
after RIPPERT (ca. 1690, Paris) a’=392 Hz Glen Collection, Glasgow Museum Kat. Nr. 42-68a
	boxwood (with artificial ivory mounts and endcap)	1300
	grenadille (with artificial ivory mounts and endcap)	1350
after J.H. GRENSER (1764 - 1813, Dresden) a’=430 Hz based on several originals
	grenadille or boxwood (as a 1-keyed instrument)	1150
	grenadille (as a 4-keyed instrument)	1850
	grenadille (as a 6-keyed instrument)	2200
	corps de rechange a'=415, 435 and 440 Hz (for left and right hand; no keys)	350
baroque recorders
440 Hz recorders after J.H.J.ROTTENBURGH (1672 - 1756) Intonation (bore, fingerholes etc…) calculated by computer for maximum correct tuning. The instruments are seperately available. Supplement for artificial ivory rings (2 small rings 50 ) and thumbbushing (15 )
	soprano (unstained boxwood)	800
	soprano (stained boxwood or grenadille)	825
	alto (unstained boxwood)	925
	alto (stained boxwood)	950
	tenor (unstained boxwood)	1200
	tenor (stained boxwood)	1250
after E. TERTON (1676 - 1752) soprano a’=415 Hz Den Haag Gemeentemuseum Inv. Nr. Ea 374-1933
	boxwood (unstained)	825
	boxwood (stained)	850
415 altos after DENNER (Copenhagen), BRESSAN (E. Hunt), STANESBY (Piquet)
	boxwood (unstained)	1000
	boxwood (stained)	1050
	boxwood or grenadille with 2 small rings (Denner)	1100
	boxwood or grenadille with 4 large rings (Bressan/Stanesby)	1200
CHARLES BIZEY (...1716...1752...) alto a'=392 Hz Dayton Miller Collection, Washington Cat. Nr. 1055
	boxwood (unstained)	1100
	boxwood (stained)	1150
Handfluit VAN EYCK (transitional) a'=440 Hz in 1-piece construction
	flamed maple (Ahorn)	650
	stained boxwood	675
renaissance recorders
GANASSI soprano a'=415, 440 or 466 Hz in 2-piece construction
	flamed maple (Ahorn)	700
	stained boxwood	825
	extra body	325
	messing connection ring	25
GANASSI alto in g' or f' a'=415, 440 or 466 Hz in 2-piece construction
	flamed maple (Ahorn)	800
	stained boxwood	850
	extra body	325
	messing connection ring	30
RENAISSANCE CONSORT (a'=440 or 466 Hz) in flamed maple (Ahorn); 2 or 3 piece-construction; based on instruments in Vienna, Brussels and Verona
	soprano in c''	775
	alto in g'	825
	alto in f'	850
	tenor in C	925
	tenor in C with key and fontanelle	1425
	basset in G	1850
	bass in F	2125
	bass in C (only 440 Hz)	on request

Other instruments and/or other pitches on request. Prices for real legal ivory on request. Silver key 15 extra. Thumbbushing on recorders 15 .
Leather bags for recorder/traverso:

• soprano (3-parts): 9
• alto (4-parts: suitable for altos, traversos, Ganassi sopranos): 12
• tenor (4-parts: suitable for altos, Ganassi altos): 15

Hard cases for recorders (altos): 45

Conditions of payment and delivery

Unless otherwise agreed upon, only written orders will be accepted, which will be confirmed in writing by the maker. When ordering, please send a deposit of about 10% of the total amount due. After payment of the deposit, prices are fixed. The order will be sent only after full payment of the balance or COD. Packing and postage (and insurance) will be added to cost. Postage is only by registered mail. If a client would not be satisfied, he may return the instrument within one month after delivery for a full refund of the purchase price or another instrument will be sent if the customer so wishes. All prices are subject to change without notice. The delivery time will be agreed upon, but is in no case binding for the maker.

Guarantee

Full guarantee against all defects in material or workmanship for a period of one year from the date the instrument is sent to the customer. The guarantee doesn’t apply if the instrument is obviously maltreated (f.ex. dropping the instrument, damage during shipment by the owner, if the instrument has been tampered with or adjusted by anyone other than the maker). The guarantee doesn’t apply to all handling, shipping or insurance costs. In case of dispute any recourse to legal arbitration will be made at the commercial court in Turnhout.

Service

All normal maintenance (re-reaming, oiling, polishing etc…) is done without charge, as well as adjustments or repairs during a period of one year. After one year a general overhaul is 50 . All shipping costs (registered surface or air mail) are to be paid by the owner.

General advice

If you wish additional info on an instrument, please do not hesitate to ask. Not all instruments on this list are directly or on short notice available. Because I work alone and also because I attend a lot of exhibitions, it is sometimes difficult to get me on the phone. Very often more than one machine in my workshop is on, so that I can’t hear your call. That’s why it is often better to write, fax or e-mail me. You’re cordially invited to visit my workshop. Here you can try at ease all my instruments in stock for as long as you wish. Please ring first for an appointment.